Müller Miklós és Jan S. Keithly gyűjteménye - New York, USA
The Salgo Trust for Education
- Jenő Barcsay: Barcsay Jenő tíz kompoziciója (Jeno Barcsay’s Ten Compositions)
- Imre Ámos: untitled (known as “Portrait of Margit & Imre”)
- Tivadar Zemplényi: untitled (scene of a girl against a tree)
- Sándor Liezen-Mayer: untitled (study of a male head)
- Károly Markó Sr.: Bacchus születése (Birth of Bacchus), or Jupiter neveltetése (Education of Jupiter)
- Ágoston Canzi: untitled (known as “Portrait of a Family”)
- Mihály Munkácsy: untitled (known as “Loading Hay” and “Hay Harvest”)
- Nándor Katona: untitled (view of a creek in the mountains with farmers)
- Mihály Munkácsy: untitled (genre scene after “Apostles,” a poem by Sándor Petőfi), (known as “The Meal”)
- György Telepy: untitled (Italianate landscape) (known as "Idyllic Mountainous Landscape")
- Frigyes Strobentz: untitled (known as “Woman in Landscape”)
- LajosJános Tihanyi: untitled (chickens and house)
- János Tornyai: untitled (known as “Courtyard in Szentendre”)
- Károly Telepy: untitled (landscape)
- István Szőnyi: Aratás (Harvest)
- István Szőnyi: untitled (two-horse cart with peasant house), (known as “On A Hillside in Zebegény”)
- István Szőnyi: untitled (adults and children on the banks of the Danube near Zebegény)
- János Szentgyörgyi: untitled (still life)
- Bertalan Székely: Self Portrait
- Gyula Rudnay: untitled (scene with grape harvest and dancing)
- Gyula Rudnay: untitled (historical banquet scene), (known as “Revelers”)
- Gyula Rudnay: untitled (known as “Road into the Hills”)
- Gyula Rudnay: untitled (known as "Rohanó szekér" (Rushing carriage) and “Runaway Wagon”)
- Márk Rubovics: untitled (landscape with shepherd at sunset), (known as “Landscape with Shepherd Heading Home”)
- Annunciation
- József Rippl-Rónai: untitled (rowboats in the Városliget pond, Budapest)
- József Rippl-Rónai: Görgetegen (At Görgeteg)
- József Rippl-Rónai: untitled (country house at Körtvélyes) (known as "Körtvélyes Mansion”)
- József Rippl-Rónai: untitled (seascape at Banyuls-sur-Mer), (known as “Stormy Sea”)
- Izsák Perlmutter: untitled (crystal bowl on window sill)
- László Paál: untitled (known as “Sunset in the Forest” and “Sunshine in the Forest”), n.d. (1875)
- Desző Orbán: untitled (still life)
- Sándor Nyilasy: untitled (known as “Watching the Spring Crop”)
- Sándor Nyilasy: untitled (known as “Old Couple”)
- Sándor Nyilasy: untitled (known as “Sunlit Farm”)
- Mihály Munkácsy: study for Ecce Homo
- Mihály Munkácsy: untitled (known as “Flowers in a Blue Vase”)
- Mihály Munkácsy: Study for The Apotheosis of Renaissance Art in the Kunsthistorisches Museum, Vienna
- Pál C. Molnár: untitled (view of two Italian hilltop towns)
- Pál C. Molnár: untitled (scene of flight into Egypt with Italian peasant family)
- Géza Mészöly: untitled (plant study)
- Pál Szinyei-Merse: Mother and Children (Version 1), (also known as “Mother with Two Children”)
- László Mednyánszky: untitled (known as “Forest Scene in Winter”)
- László Mednyánszky: untitled (known as “Forest Path”)
- László Mednyánszky: untitled (known as “Creek Bank in the Forest”)
- László Mednyánszky: untitled (view of Budapest), (known as “Clouds”)
- László Mednyánszky: untitled
- László Mednyánszky: untitled (known as “Winter Sunset”)
- László Mednyánszky: untitled (known as “Resting Vagabonds”)
- László Mednyánszky: untitled (known as “Forest in Budakeszi”)
- László Mednyánszky: untitled (view of Taormina)
- Jenő Maticska: untitled (known as “Haystacks in Nagybánya”)
- Artist unknown (attributed to the school of Károly Markó Sr.): untitled (landscape)
- Károly Markó Sr.: untitled (Italianate landscape with Water Wheel)
- Károly Markó Jr.: untitled (Italianate landscape)
- Ödön Márffy: Camp at the Isonzo
- Gusztáv Magyar-Mannheimer: untitled (known as “The Holy Virgin with Child”)
- Gusztáv Magyar-Mannheimer: untitled (Italian landscape)
- Gusztáv Magyar-Mannheimer: untitled (Tatabánya landscape)
- Gusztáv Magyar-Mannheimer: untitled (landscape)
- Gusztáv Magyar-Mannheimer: untitled (known as “Sunset on the Farm”)
- Károly Lotz: Alvó Bacchánsnő (Sleeping Bacchante)
- Károly Lotz: untitled (study for a historical scene)
- Károly Lotz: Cornelia
- Antal Ligeti: untitled (scene with houses and gully)
- Antal Ligeti: untitled (plant study)
- Lajos Kunffy: untitled (winter scene at Somogytúr)
- Károly Kotász: untitled (view of wagon and peasants near a farmstead), (known as “Noontime Rest”)
- Károly Kotász: untitled (village fair with carousel)
- Erzsébet Korb: untitled (portrait of a young blonde woman: "Self Portrait"?)
- Károly Kernstok: untitled (known as “Cottage in the Forest” or “House at Nyergesújfalu”)
- Nándor Katona: untitled (foothills of the Tátra Mountains)
- Béla Iványi-Grünwald: A Pincio (The Pincio)
- István Ilosvai Varga: untitled (known as Breakfast)
- Gyula Hincz: untitled (floral still life)
- Lipót Herman: untitled (known as “Venus with Cupid”)
- Lajos Gulácsy: untitled (landscape with horseman and tower), (known as “Church Garden”)
- Oszkár Glatz: untitled (known as “Kévekötők” (Sheafbinders))
- Oszkár Glatz: Bujáki táj (Buják landscape)
- Jenő Gadányi: untitled (abstract still life)
- Móric Gábor: untitled (still life with red tulip and three vases)
- Pál Fried: untitled (female nude)
- Károly Ferenczy: Fürdés előtt (Before a Swim)
- Adolf Fényes: untitled (known as “Summer Idyll”)
- Adolf Fényes: sketch for Bujkáló nap (Sun playing peek-a-boo), (also known as “Spring Clouds”)
- Aurél Emőd: untitled (known as “Boats in a Harbour” and “Boats Tied to the Quai”)
- József Egry: Badacsony
- Aladár Edvi Illés: untitled (known as “Ducks in the Creek”)
- Aladár Edvi Illés: untitled (view of clouds over a pond)
- Dezső Czigány: untitled (known as “House on the Shore”)
- István Csók: Balatonaliga (also known as “Lake Balaton”)
- Sándor Brodszky: untitled (known as “Fisherman`s Cottage on Lake Balaton”)
- Sándor Brodszky: untitled (known as "Color Sketch of Mountains" and “Lake in the Tátra Mountains”)
- Antal Berkes: untitled (known as “Ösz” (Fall)
- Géza Bene: untitled
- Jenő Barcsay: Church
- untitled (known as “Portrait of a Man”)
- László Mednyánszky: untitled (known as “Mountain River”)
- Gyula Batthyány: untitled (known as "Eastern City")
- Jenő Barcsay: Black and Blue Symphony
- Ágoston Canzi: Lady with a Parakeet
- Gusztáv Magyar-Mannheimer: untitled (known as “Hillside”)
- Self Portrait
- LajosJános Tihanyi: Holdviragura (Taban)
- Lajos Tihanyi: Portrait of Tristan Tzara
- József Rippl-Rónai: untitled (head studies)
- Portrait of the painter Méla Müller in Berlin
- Imre Ámos: untitled (known as “Szentendre Scene”)
- untitled (known as “Room with Plant Stand” and “Interior of a Room”)
- untitled (known as “Breakfast Table”)
- Nándor Katona: untitled (landscape)
- Gyula Hincz: untitled (known as “View of Lake Balaton”)
- Dezső Korniss: untitled (known as “House in Szentendre”)
- Annuska kalapban (Annuska in a Hat)
- untitled, (known as “Madonna with hound”)
- Gyula Derkovits: Menekülő asszonyok (Fleeing women)
- Gyula Derkovits: untitled (abutment in Újpest)
- Gyula Derkovits: Self Portrait
- Gyula Derkovits: Nyár (Summer)
- Aladár Edvi Illés: untitled (known as “Smoky Kitchen”)
- László Moholy-Nagy: Café Kovács
- László Moholy-Nagy: New York, Pest
- Architektur I or Konstruktion auf blauem Grund (Construction on a Blue Ground),
- André Kertész: Esztergom 1917 June 27 (also known as “Three Roma Children”)
- André Kertész: Budapest 1919 (Red soldiers marching, ca. April 1919)
- André Kertész: Blind Musician, Abony, 1921
- Vilmos Aba-Novák: untitled (known as "Before the Storm")
- Vilmos Aba-Novák: untitled (known as “Procession”)
- Portrait of Gyula Marosán at the Szolnok Artists’ Colony
- untitled (dockworkers)
- untitled (blond girl with flowers)
- untitled (striding figure)
- untitled (known as “A Man of Trencsén” and “Man in Hat”)
- Dr. Papp Gézáné (Portrait of Mrs. Géza Papp)
- Országút (Highway)
- untitled (known as “Stage Scenery”)
- untitled album of 93 etchings, Abbildung 86
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- L’Heure Exquise, album of erotic prints, published 1920, Abbildung 12
- L’Heure Exquise, album of erotic prints, published 1920, Abbildung 11
- L’Heure Exquise, album of erotic prints, published 1920, Abbildung 10
- L’Heure Exquise, album of erotic prints, published 1920, Abbildung 9
- L’Heure Exquise, album of erotic prints, published 1920, Abbildung 8
- L’Heure Exquise, album of erotic prints, published 1920, Abbildung 7
- L’Heure Exquise, album of erotic prints, published 1920, Abbildung 6
- L’Heure Exquise, album of erotic prints, published 1920, Abbildung 5
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- L’Heure Exquise, album of erotic prints, published 1920, Abbildung 3
- L’Heure Exquise, album of erotic prints, published 1920, Abbildung 2
- L’Heure Exquise, album of erotic prints, published 1920, Abbildung 1
- Abstract
- untitled (known as “House on the Shore”)
- untitled (still life with pitcher)
- untitled (known as “Ábrandozás” (Dreaming)
- untitled (view of two Italian hilltop towns)
- untitled (known as “Creek Bank in the Forest”)
- untitled (Italian landscape)
- Könyökére támaszkodó nö: Dávid Katalin portréja (Woman Leaning on her Elbow: Portrait of Katalin Dávid)
- untitled (study of a female nude)
- untitled (known as “Sketch for a Stage Design”)
- untitled (floral still life)
- untitled (known as “Virágok” (Flowers)
- untitled (known as “Portrait of a Family”)
- At Dawn
- Picture in Yellow
- hand
- Chaqu`un son Gout
- untitled (winter village scene with train)
- Pandämonium. Lithographies originales, by Jules Derkovits, 1920,
- untitled (landscape), (known as “Forest Scene”)
- Iványi-Grünwald, Béla, Tudomány és Müvészet (Science and Art);
- Modern Magyar Képtár, Budapest: Művészeti Egyesület, 1911. Miklós Rózsa, ed.A portfolio of 19 woodcuts with original backings, including portfolio folder. A 191
- untitled (Italianate landscape) (known as "Idyllic Mountainous Landscape")
- untitled (landscape)
- untitled (known as “Bathing Women”)
- untitled (known as “Courtyard in Szentendre”)
- Mariska
- untitled (composition)
- untitled
